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Analyze the novel’s female characters. How do Koontz’s portrayals of Harper, Jill, Cosima, Naomi, Urnfield, and Mrs. Baneberry-Smith contribute to the novel’s implicitly misogynistic worldview?
How do the events of the novel loosely resemble the narrative structure of the Book of Job? How does Koontz introduce thematic or philosophical departures from this blueprint?
How are Benny’s problems as an adult rooted in his childhood experiences? What broader commentary does Koontz make about the nature of childhood trauma?
Discuss Spike’s assertion that “niceness plus free will minus wisdom equals death” (230). What does Spike mean? How is his philosophy demonstrated throughout the novel?
Compare and contrast the three antagonists—Mrs. Baneberry-Smith, Upton, and Urnfield. What do their respective downfalls imply about their worldviews?
How do the flashback chapters punctuate the themes and lessons portrayed in the present-day narrative? What implicit parallels does the author present as the overall story unfolds?
Compare and contrast Benny’s “niceness” with the Better Kind’s focus on wielding power over others. Are these worldviews mutually exclusive, or do they sometimes overlap? How might these views apply to real-life scenarios?
How do the three major themes of niceness, evil, and friendship interact, influence, or contradict each other? Explain using examples from the text.
In the flashback chapters, how does Koontz blend elements of horror, science fiction, and mystery to create a cohesive narrative?
Does Spike function as a round character, or is he essentially a plot device? Support your interpretation with examples from the text.
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By Dean Koontz