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48 pages 1 hour read

Lydia Chukovskaya

Sofia Petrovna

Lydia ChukovskayaFiction | Novella | Adult | Published in 1965

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Chapters 1-8Chapter Summaries & Analyses

Chapter 1 Summary

It’s 1936 in Leningrad, USSR. Sofia Petrovna is a middle-aged widow who lives with her teenaged son, Kolya, in a communal apartment. Before the Russian Revolution of 1917, Sofia and her husband, a respected doctor, enjoyed a bourgeois lifestyle. After the Revolution the state requisitioned all but one room of their apartment; as with other bourgeois households, their apartment was divided to accommodate additional families.

Following her husband’s death, Sofia learns typing to support herself and her beloved son. She finds a job at a major publishing house, where she’s quickly promoted to senior typist. Sofia loves the bustle of the office and takes pride in reviewing manuscripts of patriotic Soviet fiction. She cares about her professional appearance—curling her gray hair and wearing simple but elegant clothes.

The junior typists at the publishing house resent Sofia’s strictness. Sofia is polite to the typists who are good at their jobs and disdainful of those who aren’t. In particular, Sofia disdains an insolent typist named Erna Semyonovna, who is barely literate, makes a lot of mistakes, and shirks work. Erna reminds Sofia of a flirtatious housemaid she and her husband had before the Revolution.

Sofia is respected by her superiors, including the director of the publishing house, Zakharov—a former laborer who rose through the ranks of the Soviet Party system. Zakharov’s plush office with its three telephones impresses Sofia. The only person Sofia fears is the Communist Party secretary of the publishing house, an unkempt man named Timofeyev. Timofeyev often uses Erna to type confidential party documents, a privilege that feeds her ego.

There are regular meetings in which Zakharov, Timofeyev, and Anna Grigorievna, the chair of Mestkom (the local publisher’s union), outline how the work at the publishing house serves the Communist Party of the Soviet Union, both domestically and internationally. Zakharov emphasizes the importance of the publishing house’s propaganda in the fight against German fascism.

Chapter 2 Summary

Sofia spends more and more time at work. She’s tasked with collecting dues for Mestkom, giving her a certain amount of power in the office—she can even request dues from Timofeyev.

Sofia befriends the best typist, Natasha Frolenko. Natasha is a modest, pallid young woman who’s enamored of Kolya. Natasha’s father, a colonel in the White Army (the Imperial Russian army that fought the Bolsheviks), died when she was five, in 1917. After the Revolution, Natasha and her mother were evicted from their house, starting a period of hardship for them. Despite her Communist sympathies Natasha is denied membership to the Komsomol—the Soviet Communist youth organization—because of her bourgeois background.

Sofia prepares the office for a visit from two bosses from Moscow. When the bosses arrive, they stand out in their expensive, foreign-made clothes. Sofia gives a speech on behalf of the nonparty workers in which she pledges to increase productivity. The speech is well received, and Sofia is exhilarated. She returns home to make dinner for Kolya, who’s just been accepted to the Komsomol. In the shared kitchen Sofia extols the wonders of work to her neighbor, Mrs. Degtyarenko: “It gives you so much to think about, adds so much to your life. Especially if your job is connected with literature” (12).

Kolya returns from studying with his friend Alik Finkelstein for their final high school exams. Kolya is indignant about an antisemitic remark an old-regime classmate, Sashka Yartsev, made about Alik; Kolya and his classmates have organized a mock trial to address the insult. Before bed Kolya recites from heart a poem by Vladimir Mayakovsky, a Soviet hero.

Chapter 3 Summary

With Kolya’s graduation and the arrival of summer, Sofia gets her first vacation. Suddenly spending more time at home, she rues having to cede most of her apartment to other families after the Revolution. Although Sofia likes Mrs. Degtyarenko, her messiness annoys Sofia. She hates her other neighbor, an unnamed nurse who clings to the trappings of her gentry past. Sofia thinks the nurse and her teenaged daughter are mean and crude. More than anything, Sofia resents not being able to give Kolya his own room. Kolya believes in the justice of dividing apartments to provide equitable living.

After being accepted to college, Kolya and Alik celebrate by building a radio. Sofia enjoys using it to listen to operas, concerts, and news about the availability of perfume (which is in short supply). Unlike Kolya, she has no interest in news about the spread of fascism in Europe, preferring to read foreign novels that Natasha brings when she visits to embroider.

Back at work, Sofia wishes she were Zakharov’s secretary—she secretly adores him. Meanwhile she plans to request that Mestkom fire Erna for her insolence and sloppy work. On the Eighth of March (the national Soviet holiday for women), Sofia receives a bouquet and card from Mestkom congratulating her on her hard work. After the flowers wilt she presses them in a book as a keepsake.

Chapter 4 Summary

A year passes. Now in her third year at the publishing house, Sofia gets a substantial raise. Kolya grows into a handsome, confident, and well-mannered young man and excels in college. He’s so perfect that it worries Sofia: “[She] would look at him with both tenderness and fear, glad and yet afraid to be glad. What a good-looking young man, and healthy, too, he didn’t drink or smoke, a good son and loyal Komsomol member” (19). Sofia believes Kolya is superior to Alik in every way.

Sofia is troubled that she can’t give the 20-year-old Kolya a room of his own. He has fallen in love with a girl at college, and Sofia worries that not having his own room is hindering him from moving forward with his girlfriend. When Sofia shares her worries with Natasha, Natasha implies that she’s secretly in love with Kolya and despairs that he doesn’t feel the same.

Kolya and Alik are selected to fill a need for engineers at a factory in Sverdlovsk (now Yekaterinburg)—they will finish college remotely. Sofia anxiously readies Kolya for the move. She sees him and Alik off at the train station; she implores Alik to protect Kolya.

Chapter 5 Summary

With Kolya gone, Sofia spends most of her time at work. In her free time she and Natasha go to movies about heroic soldiers. Sofia pities Natasha, who in addition to being heartsick for Kolya is again refused Komsomol membership, despite her detailed knowledge of Soviet politics. When Sofia writes Kolya, he takes an unsympathetic party line to Natasha’s plight: “Kolya replied that injustice was a class concept and vigilance was essential. Natasha did after all come from a bourgeois, landowning family. Vile fascist hirelings, of the kind that had murdered comrade Kirov, had still not been entirely eradicated from the country” (24). Hearing of his response, Natasha dejectedly takes Kolya’s advice to read Lenin.

In his weekly letters to Sofia Kolya mainly writes about the urgent need for the Soviet Union to manufacture more of its own goods. Sofia doesn’t care and wishes Kolya would tell her how he and Alik are doing. Ten months after Kolya’s departure he sends her a prototype of a large cogwheel—the first produced at his factory using his novel method. This feat earns Kolya a front-page article in Pravda, the official newspaper of the Communist Party. At work, everyone, even Erna, congratulates Sofia on having such an exceptional son.

Chapter 6 Summary

Sofia and Natasha plan the office party for New Year’s 1937. In the bags of candy for the children they put slips of paper thanking Stalin for a happy childhood; they also hang a portrait of Stalin with a little girl on his knee. On the red star for the crown of the tree they glue a baby photo of Lenin.

Everyone enjoys the party except for Anna, who resents that her son’s present is less expensive than the one for Timofeyev’s son. Sofia judges Anna for wearing an expensive, revealing dress and for not disciplining her son when he breaks his present.

Near the end of the party the publishing house’s accountant (who was friends with Sofia’s husband) tells her that the NKVD (the secret police) have arrested a number of doctors, including Kolya’s godfather, Dr. Kiparisov. Sofia wonders if a new wave of arrests is starting, just like the one following Sergei Kirov’s assassination a year prior. At that time, the police arrested anti-Bolsheviks and former members of the nobility, including an old school friend of Sofia’s, Mrs. Nezhentseva. Sofia didn’t understand how her friend, a French teacher, could have anything to do with Kirov’s murder. Kolya explained that Mrs. Nezhentseva was an enemy of the people because she demeaned the poet Mayakovsky and said that things were cheaper before the Revolution.

Chapter 7 Summary

The papers don’t mention the arrests of the doctors. Instead, there’s a surge in articles about the fascist spies and saboteurs who have infiltrated Soviet life with the help of Trotskyists. Sofia is incensed that anyone would try to murder Stalin and that saboteurs are derailing civilian trains.

The publishing house holds a mandatory meeting. Anna locks the doors to ensure that no one leaves early. She announces that the former supervisor of the print shop, Gerasimov, has been arrested for being related to someone else who was arrested. Anna dismisses Natasha’s question about what Gerasimov actually did to warrant arrest.

Following this meeting there is struggle between Zakharov, Timofeyev, and Anna over who will get fired for overlooking Gerasimov. Sofia doesn’t understand why they’re fighting over who will take the blame. Every day Zakharov is summoned to the Leningrad party headquarters.

Sofia runs into Dr. Kiparisov’s wife, who looks notably aged by her husband’s arrest. Sofia greets her warmly and tells her she believes Dr. Kiparisov is innocent; Mrs. Kiparisova dejectedly confirms that her husband is innocent. Relieved, Sofia says they should celebrate when he’s inevitably released: “Since [Dr. Kiparisov] isn’t guilty—then everything will be all right. Nothing can happen to an honest man in our country” (37). Mrs. Kiparisova gives her an expressionless look.

Chapter 8 Summary

The next day Zakharov is arrested; Timofeyev looks pleased. A member of the NKVD searches Zakharov’s office. Sofia can’t believe that such a devoted party man was arrested: “They knew him at Smolny, and in Moscow, they couldn’t arrest him by mistake. He wasn’t some Kiparisov!” (40). Natasha says she’ll explain everything outside the office.

At Sofia’s apartment Natasha shows Sofia a newspaper article about a loyal party member, A., who betrayed his country for a woman, S. Sent to Germany on an official mission, A. falls in love with S., who professes Soviet sympathies. One day A. returns to find that S. has stolen confidential party documents from his apartment. He ends the relationship and returns home but hides the theft. Subsequently the Gestapo blackmail him into giving them the confidential blueprints of the factory he works at. The NKVD discover the plot and arrest A. Natasha believes that anyone can be manipulated by a beautiful woman and tells Sofia that Zakharov himself did a mission in Berlin.

Sofia still protests that Zakharov can’t be guilty—they know him to be a good man. Natasha retorts: “What do we know? […] We know he was director of our publishing house, but we don’t actually know anything more than that. Do we really know about his personal life? Can you really vouch for him?’” (41-42). Sofia realizes this is true and reflects that even her husband was almost seduced by their flirtatious housemaid. Over tea Sofia and Natasha speculate that with his military posture Zakharov could’ve been an officer in the White Army.

As night falls and Natasha is leaving there’s an urgent knock at the door—it’s Alik. Kolya has been arrested.

Chapters 1-8 Analysis

The first eight chapters of Sofia Petrovna establish what everyday life was like in the Soviet Union during the Great Terror—the period from 1936 to 1938 during which Stalin consolidated his power by murdering or interning in gulags hundreds of thousands of supposed political opponents. The close narrative focus on individuals, rather than on the campaign of persecution at large, illustrates the confusion and fear everyday people experienced during the Great Terror.

Sofia and Kolya embody the archetypes of the new Soviet woman and the new Soviet man—ideals of Soviet excellence promoted in massive propaganda campaigns. After her husband’s death Sofia doesn’t languish (or rely on her son to support her); she learns typing and joins a vital patriotic enterprise, the publication of fiction that extolls Communism—i.e., propaganda. She excels in the workplace, outpacing many of her younger coworkers. She manages to be both a loving mother and an industrious worker.

To Sofia, physical appearance indicates character. For example, everything about Zakharov tells her that he’s a moral, successful man: He is “a nice height, nicely shaven, wearing a nice gray suit, with three badges on his chest and a fountain pen in his hand” (6). Her unbridled admiration belies her underlying judgmental attitude—people are either “nice” or “not nice.” Sofia is impressed by his gentlemanly manner, American car, and busyness. In contrast, she expresses disapproval of Anna’s dirty nails. Indeed, Anna’s nails and otherwise tidy appearance hint at a hidden character trait—spitefulness. Her contempt for Timofeyev foreshadows her later orchestration of his arrest; under the appearance of civility, Anna is willing to get her hands dirty to get ahead.

Kolya exemplifies the new Soviet man: a hale, industrious worker who puts his country before himself. He has a strict sense of justice—shown in his spearheading of Sashka’s mock trial. Kolya’s screeds in support of the Soviet project show that he’s also idealistic. Kolya’s arrest reveals The False Promise of Stalinism: Even the most patriotic, unassailable citizens can be arrested. There’s neither justice nor even logic in the arrests—their terror lies in their arbitrariness.

Unlike her son, who didn’t live through the Revolution, Sofia doesn’t have an entirely positive view of Communism. She remembers what she lost—her apartment, her maid—and every day is reminded of this loss by the loud, messy neighbors living in what was once her dining room and study. In contrast, Kolya embodies the blind patriotism of someone who hasn’t had their childhood friends arrested for no reason (as happened with Sofia). He emphasizes the need for vigilance against the Trotskyists and fascist spies looking to sabotage Stalin’s Soviet Union.

The rising occurrence of arrests, the increasingly tense meetings at the publishing house (with Anna locking everyone in), and the escalating international situation in the background all give the story a fearful atmosphere. At first this atmosphere largely stands at a dramatic remove—the reader sees the incipient wave of terror engulfing the characters, but they don’t. This irony is particularly present with Sofia, who continues to believe the arrests are just even after Kolya is arrested. The reader sees what the everyday Soviet citizen—Sofia—cannot: There is neither rhyme nor reason to the arrests. Sofia, meanwhile, is caught between her faith in her son’s innocence on the one hand and her faith in the state on the other. Chukovskaya uses Sofia’s character to show the pernicious effects of Doublethink: The State Versus the Individual in a state that requires its citizens to hold competing beliefs simultaneously. Over the course of the novella, Sofia will find it more and more difficult to reconcile these two contradictory notions, with tragic consequences.

Because of her belief in the state, Sofia thinks that those arrested are guilty or else that their arrests are mistakes that will soon be corrected. The arrest of Kolya’s godfather, Dr. Kiparisov, doesn’t shake her faith in the system: “Since [Dr. Kiparisov] isn’t guilty—then everything will be all right. Nothing can happen to an honest man in our country” (37). In Sofia’s view, the Soviet system rewards the righteous and punishes the guilty; therefore unjust arrests can only be aberrations, which will work themselves out in time. However, a chapter later her response to Zakharov’s arrest belies her tacit understanding that favoritism exists in the supposedly equitable Soviet system: “They knew him at Smolny, and in Moscow, they couldn’t arrest him by mistake. He wasn’t some Kiparisov!” (40). Zakharov’s arrest sparks the first seed of doubt in Sofia’s otherwise docile character—ironically, not because he is “honest,” like Dr. Kiparisov, but because he is well connected, and in her view political connections should offer protection. Sofia’s awareness of the Soviet system’s injustice may be largely repressed, but this remark belies her naivete, revealing a more sophisticated understanding of how the system works, or at least how it’s supposed to work. As Sofia will learn, the Great Purge arrests defy all logic, even the corrupt logic of favoritism.

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